Books

July 08, 2008

BookGeek: Unwelcome Bodies

Collections are tricky beasts, even trickier than anthologies.* It's a hard sell, even if you're a big name. Getting a collection published when you aren't Stephen King or Harlan Ellison is even harder. Good thing Jennifer Pelland rocks my socks.

It's been a long time since I read a set of short stories as consistently wonderful as UNWELCOME BODIES. Published by Apex Book Company, Pelland has compiled science-fiction/horror crossovers with a general theme of physicality - of the need for touch, of sensation. I picked it up because it has a striking cover, very different from the usual fare at convention book tables, and because Pelland grew up on my own childhood stomping grounds of western Massachusetts.

I found that Pelland has exactly my style of writing. She creates three-dimensional characters with nuance and skill, yet doesn't bog us down with endless exposition and fanciful imagery to distract us. There are some writers who waste a lot of time showing off their wordcraft with a lot of unnecessary linguistic gymnastics, and some writers that simply show how good they are by WRITING. Pelland is the latter.

Apex specializes in science fiction and horror, and there's more than a little horror to be found in UNWELCOME BODIES. Possibly the most gut-wrenching - literally - is "Big Sister/Little Sister," about a twin unwillingly carrying her sister's aware head in her abdomen.

Almost as horrifying are some of Pelland's various futures. Imagine if AIDS was airborne, and all the infected had to be sequestered, so no one could touch anyone anymore. The paranoia and isolation of "For the Plague Thereof Was Exceeding Great" makes it a fascinating lead-off story, and one of my favorites. Then imagine a future in which hedonism ran wild and body modification ran past tattoos and piercings to whole limbs and grotesquerie, the more hideous the better. The Elephant Man, therefore, is strange by his normalcy in "The Last Stand of the Elephant Man."

The best stories come from "What if..." What if the oceans dried up and water was more valuable than gold? See "Flood" for details, and you'll come away thirsty for more than a drink. What if a half-machine "Captive Girl" was trained to search space for dangers was suddenly unplugged and returned to normal? What if a caste society controlled from the top down and entertained by Earth transmissions suddenly lost its only entertainment? "Firebird" might very well be my favorite.

There's a story or two dealing with the pressures of celebrity, and Pelland's razor-sharp sense of group psychology never fades into dull cynicism or unwarranted optimism. I found her futures both realistic and hellishly creative, without ever feeling the bull meter go ringing.

I think "Immortal Sin" might be the only one for which I could summon any criticism, because it seemed definitely influenced by the author's own dismissal of her Catholic upbringing - a character consumed by fear of a literal hell, which is hard to identify with. But that made it no less compelling for making me end a sentence in a preposition. It was the best I could manage for a criticism.

UNWELCOME BODIES is the perfect blend of science fiction and horror, a walk through futures alternately beautiful and hideous, with characters we can see, hear and yes, touch. Pelland's clear, concise style draws us in without distraction and twists on a single note. Much like its striking white cover, this collection is something far different than the usual fare. I will definitely be looking for more of Pelland's work in the future.

Pick up UNWELCOME BODIES at Apex Book Company, in ebook at Fictionwise or order it from your local bookstore.


* What's the difference? Well, when you have twenty different authors writing short stories about a particular theme, you have an anthology. When you have one author writing twenty stories, you have a collection.

June 10, 2008

BookGeek: Storm Front

STORM FRONT
By Jim Butcher

Ever since the Sci Fi Channel first announced it would launch a Dresden Files television series and I foolishly admitted I had not read the Dresden books, I’ve heard of almost nothing else. “Whaaaaaat?” is the usual response.

Granted, my friends are geeks.

I even picked up a Dresden book once, but discovered upon coming home that it was book six. Upon hearing of my error, a friend forcibly placed book one, STORM FRONT, in my hands. It’s a signed copy, too. I personally wouldn’t let such a thing out of my library, but there you have it.

Recap, in case you’re one of the six readers of this blog who doesn’t have a Harry Dresden T-shirt: Dresden is an honest-to-Zod wizard, a magic practitioner in Chicago. By night, he fights crime. Well, sort of. A lot of the time he tries to keep his tail out of hot water, and not always succeeding. His sidekick is Bob, a lecherous spirit trapped in an ancient skull. He answers – sometimes – to Lt. Murphy, a quasi-believing police detective who brings him in as a consultant on magical crimes.

Here’s the thing: If I had not diligently watched the doomed DRESDEN FILES series, I think I would have enjoyed the book far more. Alas, DRESDEN was demolished by the Firefly Treatment at the hands of a network that should know better. (Imagine if we were forced to watch BATTLESTAR GALACTICA out of order! We’d be hopelessly confused. Well, more confused than we are now. Which is pretty dang confused. I digress.)

The book was to be the 90-minute pilot for the series, and ended up being truncated into a one-hour episode, which aired eighth. It deserved better. Like all good private eyes, Harry Dresden is lured into a web of dark noir-ish deals and ends up with a demon trashing his apartment. Okay, the latter wasn’t strictly Sam Spade, but it beats the standard foreign-accented twerp with a revolver, right?

While Dresden continues to proclaim he is a wizard, not a P.I., the books definitely follow that genre more than the paranormal mystery structure. That’s a good thing – no, a great thing, because it gives reality to one side while reinvigorating the other. We get hints of the power structure underground wizards must survive, and enough backstory to get our grounding without being overwhelmed by it.

Author Jim Butcher does lose major points for yet another gold-digging reporter who sleeps with her sources. But I’ve just come to expect this nonsense in fiction.

I can see why Butcher’s clear prose, wry sense of humor and the detailed, coherent universe of the Dresden Files has created such a powerful fandom. It is too bad that the series was Fireflyed, as it nearly ruined the book for me. But given the astounding success of his latest Dresden hardback, it doesn’t seem that the series’ implosion has dimmed anyone’s love for Harry.

I’ve already picked up the second book.

June 05, 2008

BookGeek: CultureGeek vs. the Library

I am the worst library patron ever.

It's a sad thing to admit, particularly for one who has had a passionate love affair with the written word since she began reading at age three, but I am a terrible library patron. I tend to check out a lot of books and regularly return them late. I tend to forget I owe money until it's time to check out more books. I'm fairly sure the Edwardsville Public Library has my face up on a dartboard and the books hide behind each other when they see me coming.

On the other hand, I've paid so many fines in the last eight years that they may have named a wing after me.

Currently, I have a movie that's about a week late - MEMENTO. My sister recommended it, and I just haven't gotten around to watching it yet. (Don't ask how long I've had EXCALIBUR from Netflix.) I also have two books on strong women in television and film that are interlibrary loans. I'm fairly sure someone from the Collinsville Library is going to send a legbreaker after these books if I don't get around to reading them.

Four years ago, I checked out a novel titled LABYRINTH by Mark T. Sullivan. It combined two of my favorite things: murder and caving. Whee! Unfortunately, I checked it out right before I moved into my new apartment, and it vanished unread. Multiple searches of the apartment failed to yield it, and eventually I admitted defeat and paid the library for my sins.

"I sure hope it's a good book," I grumbled. Of course, I hadn't lost a nice cheap paperback, folks. It was a hardback with all the trimmings. Ouch. Consider it my donation to the cause of free(ish) literature for the public.

Books tend to breed at Casa CultureGeek. The two bookcases in the bedroom, three in the living room and one in the office are filled, with another layer stacked in front of them and more scattered on, well, every flat surface. I could start my own bookstore, and that's without addressing CultureGeek Jr.'s collection. I am famous for being literally unable to go into a used bookstore without buying something. Last month, I ran a charity booth at Mayfest next to an used-book sale. I took home two boxes, which are currently living in my trunk because there is no room at the inn.

But this week we have guests braving the Apartment Where Books Go To Hide, so we've been indulging in the time-honored tradition of Mad-Dash Cleaning.

Guess what turned up.

It was in a bag of random stuff, which had migrated to the car, then to a large bag of miscellaneous, which found its way into a box behind the couch. Hello, Mr. Sullivan. How's the cave treating you?

This presented something of a quandary. Could I return the book to the library and get my money back? It was a not-inconsiderable sum, after all. On the other hand, I bought the book. I should get to keep it. But what if it stinks?

I have therefore determined that after four years of waiting, I will find out what happens to our intrepid cavers. I will finish LABYRINTH, write it up for this blog, and then decide if the library owes ME money for a change. That would certainly be a first in my personal history.

It might even cover what I owe on those interlibrary loans.

June 04, 2008

BookGeek: Black Thorn, White Rose

When looking for anthologies, most of the time the discerning reader will look for a headliner name: a Stephen King, Harlan Ellison or similar "marquee" name that indicates this is a serious anthology, not something cobbled together on somebody's kitchen table. Or the reader will look for a theme that suits a particular taste - if science-fiction carnivals or blood-drinking zombies are your thing, there's an anthology for you.

Or you can see that it's edited by Ellen Datlow. Then it doesn't matter if its theme is "plumbers in space" and the headliner is Bubba Schmidt. You're in for a good ride, because Datlow has been picking good stuff since 1981.

"Adult fairytales" sounded like a theme for an erotic romance anthology: watch Snow White get it on with Cinderella! But no, this anthology (co-edited by Terri Windling) continued a series of fairytale retellings for adult readers, with no sex involved. Well, very little. There was "Tattercoats."

As Datlow and Windling make clear in their foreword, fairytales were not originally intended for children. While I've never minded the Disneyfication of these stories - do we really want six-year-olds watching the ugly stepsisters hack off their own toes? - there is something marvelously gothic that is lost for the adult reader.

BLACK THORN, WHITE ROSE finds that gothic brilliance and twists it, exploring new tales in old stories that are heartwrenching, brilliant and entertaining, almost without exception. A few highlights:

"Stronger Than Time" by Patricia C. Wede retells Sleeping Beauty with a twist even I didn't expect, and a bittersweet beauty undreamt-of by Aurora and her Prince. Try a Jewish take on Rumpelstiltskin with "Granny Rumple" by Jane Yolen, or the strangely compelling "Godson" by Roger Zelazny. Peter Straub disturbs us with "Ashputtle" and its bizarre schoolmarm. "Words Like Pale Stones" is the best retelling of Rumpelstilskin I have yet read, with kudos to author Nancy Kress.

I didn't personally care for "Somnus's Fair Maid," another Sleeping Beauty that reads like a regency romance without the sex. There are many who would, however - it's just that regency isn't my bag. "The Frog King, or Iron Henry" by Daniel Quinn was a bit too repetitive, too circular for my taste, though that was obviously the point of it.

I think my favorite was probably "Sweet Bruising Skin" by Storm Constantine, a retelling of the princess and the pea from the queen mother's point of view - and we can see it her way. But the most heartwrenching is indubitably "The Black Swan" by Susan Wade, who follows Constantine with another story of women's attempts to remain beautiful and the price they pay for it. It closes this anthology with the perfect mix of sorrow and rejoicing.

The key is that each story was unique, a vision of the old stories that is so different as to render the underlying fable irrelevant. They may have been inspired by Cinderella, Sleeping Beauty and that poor girl sleeping on the pea, but their execution is focused through the prism of the varied minds brought together in this book. The result is a fascinating anthology, definitely worth your time.

I heartily recommend BLACK THORN, WHITE ROSE to any fan of fantasy, to any reader who likes a bit of the macabre in her magic.

April 29, 2008

BookGeek: The Missing

THE MISSING
By Sarah Langan
Harper Books

I want to be Sarah Langan when I grow up.

Langan's follow-up to her amazing debut novel, THE KEEPER, weaves a supernatural disaster around a 51tdsljedyl_sl500_aa240_
small Maine town with greater skill than anyone since Stephen King. The horror that seemingly died with most of the town of Bedford in THE KEEPER resurfaces to eat nearby Corpus Christi - literally.

Imagine, if you will, a 'SALEM'S LOT with plague-ridden near-zombies instead of vampires. Then get rid of any thought of happy endings or ultimate redemption, because Langan pulls no punches at all. Don't get too attached to anybody in a Langan novel.

Langan has the ability to create a fully-realized, three-dimensional person in only a few short pages. Near the beginning of THE MISSING, a woman walks out of her house to pick up the newspaper. On her way back, she sees a bird eating poisonous berries. If a lesser author were to write this sequence, it would be half a page and we would know no more about this woman when she returned to the house than we did at the beginning of the chapter.

With Langan behind the wheel, this ordinary moment is a glimpse into a life both complex and ordinary, a woman frustrated in her role as mother and wife, full of regret and hope and sadness all at once. She is a real person, someone we know or might even have been, and we suddenly care very much what happens to her.

This is where most horror movies and many novels fail: making characters into archetypes, easily disposed of when the monster appears. Langan never falls into stereotype, making each character nuanced and real, with flaws that remind us that they are human beings. We never cheer for any of the deaths, even when they are characters we wouldn't want to know in real life. But we feel real sorrow at their flailing and ultimate futile attempts to save themselves.

Langan's voice will echo in your head for days after you finish reading this book. I find myself eagerly awaiting her next outing, even if the path down which she leads us is lined with poisonous flowers.

In case you missed it, this book won the Bram Stoker Award this year, beating out (among others) HEART-SHAPED BOX by Joe Hill. THE MISSING is currently available in most bookstores and Amazon.com.

April 28, 2008

BookGeek: General Slocum's Gold

GENERAL SLOCUM'S GOLD
By Nicholas Kaufmann
Burning Effigy Press

It may not have won the Stoker, but this little chapbook has remained in my mind days after reading it nonetheless.

This novella from Burning Effigy Press came to national attention when it was nominated for the Stoker, but Gsgcover1author Nick Kaufmann had already won the respect of his peers in the horror community. I kept meaning to buy it, but to be honest, I only plunked down my money after it was nominated for the big statuette.

I find myself wondering how anyone could have beaten it.

Meet Sackett, a guy who would be ordinary hired muscle in anyone's gang if it weren't for his special gift. His hands can do extraordinary things, like see through walls... and stop a man's heart. That makes him muscle with extra value to any criminal gang, particularly the group going after the long-lost gold of the sunken General Slocum.

GENERAL SLOCUM'S GOLD has a stylistic choice that usually would turn me off. It's in present tense for the main story, past tense when we're going through the backstory of the gold. But you know what? It works. I can't recall a single present-tense story I've enjoyed until this one. It just goes to show, there aren't any rules in fiction that can't be broken, even those concerning double negatives.

Sackett is a compelling character, a man searching for a reason to exist beyond his role as someone else's tool, following orders to the bitter end. It's a search that makes sense to many of us, even with his special skills. The key to a good novella is building a character quickly, defining him without endless exposition. Kaufmann pulls this off remarkably well.

And what they find on their search for literal buried treasure is creepy beyond description - or at least without spoilers. Kaufmann draws you into his spell without gore, without the big scares that other authors rely upon, but with a steady growing dread that marks truly great horror.

I strongly recommend GENERAL SLOCUM'S GOLD, now available in its second printing from Burning Effigy Press or from HorrorMall.com. And here's hoping Mr. Kaufmann gets to take home a statuette soon. He deserves it.

April 14, 2008

BookGeek: Ask George R.R. Martin

Famed fantasy author George R.R. Martin is going to take your questions all week on the Barnes and Noble web site.

Through the Center Stage at Barnes and Noble, Martin will log in and answer as many questions as he can, at least once a day for the whole week. He promises to try to answer all of them, so don't flood him with 97 versions of, "So where do you get your ideas?" Heck, even I get that one and there is no good answer to it.

Martin, 59, is the author of the Fire and Ice fantasy series, a many-times Hugo and Nebula winner and worked on TV shows in the 1980s. The rights to the Fire and Ice series have been bought by HBO, by the way.

Martin is a very friendly, open author who is a regular on the convention circuits and often comes to the metro-east's own convention, Archon. He also whomped my ex-husband at chess three times, but that's beside the point. (He would have made mincemeat of me - I just can't get the game.) He also holds a masters degree in journalism. That creates all sorts of characters, I tell you...

"I will actually have three topics for my very own," Martin said on his blog. "One for INSIDE STRAIGHT and the Wild Card series, one for A SONG OF ICE AND FIRE and all my other books, and one about my experiences writing for television and film, including BEAUTY AND THE BEAST, TWILIGHT ZONE, and my series-that-never-was, DOORWAYS. So be sure to post your question in the right topic."

If you're a Martin fan, drop by Barnes and Noble's site to ask a question or just read the discussions.

March 16, 2008

BookGeek: Quiz Answers!

Without further ado...

1. The most important things are the hardest things to say, because words diminish them. Words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. And you may make revelations that cost you dearly, only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were telling it. That's the worst, I think. When the secret stays locked within, not for want of a teller, but for want of an understanding ear.

"The Body," a novella from FOUR SEASONS by Stephen King, as guessed by Meri. It is one of the finest paragraphs I have ever read, encapsulating much of what that novella is about beyond the experiences of four boys going to see a dead body. The fact that it was made into a stellar movie is essentially beside the point.

2. No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

THE HAUNTING OF HILL HOUSE by Shirley Jackson, as pretty much guessed by Michael Phillips. It's the best opening to any book ever. Most writers live all their lives hoping to create a paragraph that says all that this says.

3. Anna started smoking at around eight-thirty. On the stage, far below us, the tenor hit the crescendo of the big finale, and Anna, dressed in her black silk evening gown, burst into flame. And I knew. Beyond the shadow of a doubt, I knew - that the two events were linked.

VALLEY OF SHADOWS by Frank Fradella, as guessed by Sara Harvey. Which amazes me, because it's fairly obscure. The debut novel of a fine talent, a man I am privileged to know, and unfortunately it is out of print. There are still copies to be found on Amazon, but not for long.

4. The welcome wagon lady, sixty if she was a day but working at youth and vivacity (ginger hair, red lips, a sunshine-yellow dress), twinkled her eyes and teeth at Joanna and said, "You're really going to like it here! It's a nice town with nice people! You couldn't have made a better choice!"

THE STEPFORD WIVES by Ira Levin, as guessed by Angelia Sparrow. The irony of that opening paragraph is lost on us for half the book, which should never have been made into that dreadful abomination of a "comedy" starring the otherwise intelligent Nicole Kidman. This is a woman's nightmare, translating the deepest fears of every woman who ever trusted a man with her heart. It deserved better.

5. Beneath the city there is yet another city; wet and dark and strange; a city of sewers and moist scuttling creatures and running rivers so desperate to be free not even Styx fits them. And in that lost city beneath the city, I found the child.

This is from "Croatoan," the disturbing first short story in Harlan Ellison's classic collection STRANGE WINE. Its preface is titled "Revealed At Last! What Killed the Dinosaurs! And You Don't Look So Good Yourself." It is not a comedy. It is, however, amazing work and my favorite book from Ellison.

6. The terror, which would not end for another twenty-eight years - if it ever did end - began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.

IT by Stephen King, as guessed by Michael Phillips. This is here because it is, quite simply, my favorite book.

7. He hadn't figured on the moonlight. In Billy Tepper's imagination, each of the rooms had been black and formless, making him invisible as he entered. He had studied the rooms in detail during his casual visits so that he would be able to find each lamp, each radio, each tape deck in the dark. It would take more time, but he had the whole night to work with. The inky stillness would be his ally in case one of the students happened to be awake. Instead, there was light streaming through the small panes of the leaded windows, which reached from just above the floor almost to the ceiling.

TOY SOLDIERS by William Kennedy. This was made into a simplistic boys-vs.-terrorists movie starring Sean Astin and Wil Wheaton. The boys did an excellent job with the material given, but it was enormously dumbed down from this excellent novel. Now out of print, it is advertised as a movie tie-in. I can't figure that, since the plot is enormously different. The book deals with the complexities and moral ambiguities of Middle Eastern terrorism and legitimate politics in the pre-9/11 era, refuses to cast anyone as a true villain or hero and lets the good guys make mistakes. The movie turns the terrorists into drug dealers twirling black mustaches with only greed as their motivation. Still a fun movie, but I strongly recommend the book, if you can find it.

8. "Let's get the hell out of here." A gentle, eerie howling was in the air, which seemed to be permeated with the haunting and lonely cries of souls that had existed or might never exist or might be in some state of limbo in between. In the distance was the city. Its name was unknown and would forever remain so. The air was dark and filled with a sense that a storm might break at any moment. It was that way all the time. The storm never did break. It just threatened to do so.

Nobody got this? Really? It's the opening paragraph for IMZADI, which is still the most popular novel written by Peter David, at least the last time I got the chance to ask him. It may be a Star Trek book, but it's the kind of science fiction that crosses genre lines and drew new people into fandom. It's enough to break your heart, too.

9. Willie McCoy had been a jerk before he died. His being dead didn't change that. He sat across from me, wearing a loud plaid sport jacket. The polyester pants were primary Crayola green. His short, black hair was slicked back from a thin, triangular face. He had always reminded me of a bit player in a gangster movie. The kind that sells information, runs errands, and is expendable.

GUILTY PLEASURES by Laurell K. Hamilton, as guessed by Fiona. Sometimes a paragraph is all you need to know this book is gonna be good. I picked this one up because a friend recommended it. I sat down with it and my cafe mocha. By the time I finished it, I knew I'd be buying book two in the series on my way out the door. That's the power of the Anita Blake series, folks.

10. Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarlteton twins were.

GONE WITH THE WIND by Margaret Mitchell, as guessed by Deifire despite me cutting out the names. It's also the one thing nobody really realizes, especially since they cast stunningly beautiful Vivien Leigh in the movie.

11. "Be it known to all that the circle is now to be drawn," stated the slight, robed figure as she raised her arms upward to the sky. Her dainty hands held tight to the leather-bound handle of a Dirk, its brightly polished blade reflecting the light of the moon high above. "Let no one be here but of their own free will. Blessed be."

Ha! Got you on that one. It's the first paragraph of HARM NONE, first book of the Rowan Gant mystery series by M.R. Sellars. It's a supernatural police-procedural series with a detective who is a practicing Wiccan. He had to go to a small press because a New York publisher kept trying to write in flying broomsticks and a talking cat. I wish I were kidding. If you like mysteries, read this.

12. The dead scrabbled for an entrance to his grave. His wife was among them, as ravenous for Jim in death as she'd been in life. Their faint, soulless cries drifted down through ten feet of soil and rock. The kerosene lamp cast flickering shadows on the cinderblock walls, and the air in the shelter was stale and earthy. His grip on the Ruger tightened. Above him, Carrie shrieked and clawed at the earth. She'd been dead for a week.

Awake now? That's the first paragraph of THE RISING, the zombie novel by Brian Keene that hit the horror world like a bullet between the eyes. Take it from me: you will not be able to stop reading. I was sitting in a hallway during a convention reading that book, and people kept trying to draw me away to the free booze and dancing... Anyway. Read it, but buy the second book while you're at it. Because when you reach the end of THE RISING, you won't want to wait for dawn to go for the sequel.

13. Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theater, had not crossed the doors of one for twenty years.

THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE by Robert Louis Stevenson, as guessed by Kori. Once you know the symbolism of Henry Jekyll's hypocrisy, the seeming inconsistencies of Utterson make it a perfect opening.

14. There are those who have and those who have not. The majority of Black Stone Bay, Rhode Island, had it in abundance. Along the shoreline that looked out over the Atlantic Ocean, a long line of mansions stood at attention or sprawled across their massive lawns, regarding the world with blind glass eyes that hid treasures most people would have thought excessive in the extreme.

BLOOD RED by James Moore, a vampire novel that manages to be actually scary. Thought that didn't happen anymore? Read this.

15. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

A TALE OF TWO CITIES by Charles Dickens, as guessed by Fiona. Which is good, because if no one got it, I was going to be seriously disappointed.

Thanks for playing, folks! CultureGeek gets a little vacation this week, but I'll be back with a batch of new comics and books for your amusement. Happy St. Patrick's Day!

March 11, 2008

BookGeek: Quiz Time!

It's time for another fun quiz! This one's harder - opening lines to books. And because I'm me, they're just the books I like to read. At least one, none of you will get. No fair Googling, people! That way lies cheating!

Same rules apply: first one to guess it gets credit, which is good for, y'know, self-esteem. Bragging rights. Maybe somebody'll buy you a drink.

Maybe. I'd bring a fiver to the bar, just in case.

Please note: no. 8 has an expletive. Hey, the hard part was finding fifteen books on my shelves that DIDN'T have any... Let's go!


1. The most important things are the hardest things to say, because words diminish them. Words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. And you may make revelations that cost you dearly, only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were telling it. That's the worst, I think. When the secret stays locked within, not for want of a teller, but for want of an understanding ear.

2. No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.*

THE HAUNTING OF HILL HOUSE by Shirley Jackson, as pretty much guessed by Michael Phillips.

3. Anna started smoking at around eight-thirty. On the stage, far below us, the tenor hit the crescendo of the big finale, and Anna, dressed in her black silk evening gown, burst into flame. And I knew. Beyond the shadow of a doubt, I knew - that the two events were linked.

VALLEY OF SHADOWS by Frank Fradella, as guessed by Sara Harvey.

4. The welcome wagon lady, sixty if she was a day but working at youth and vivacity (ginger hair, red lips, a sunshine-yellow dress), twinkled her eyes and teeth at Joanna and said, "You're really going to like it here! It's a nice town with nice people! You couldn't have made a better choice!"

THE STEPFORD WIVES by Ira Levin, as guessed by Angelia Sparrow.

5. Beneath the city there is yet another city; wet and dark and strange; a city of sewers and moist scuttling creatures and running rivers so desperate to be free not even Styx fits them. And in that lost city beneath the city, I found the child.

6. The terror, which would not end for another twenty-eight years - if it ever did end - began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.

IT by Stephen King, as guessed by Michael Phillips.

7. He hadn't figured on the moonlight. In Billy Tepper's imagination, each of the rooms had been black and formless, making him invisible as he entered. He had studied the rooms in detail during his casual visits so that he would be able to find each lamp, each radio, each tape deck in the dark. It would take more time, but he had the whole night to work with. The inky stillness would be his ally in case one of the students happened to be awake. Instead, there was light streaming through the small panes of the leaded windows, which reached from just above the floor almost to the ceiling.

8. "Let's get the hell out of here." A gentle, eerie howling was in the air, which seemed to be permeated with the haunting and lonely cries of souls that had existed or might never exist or might be in some state of limbo in between. In the distance was the city. Its name was unknown and would forever remain so. The air was dark and filled with a sense that a storm might break at any moment. It was that way all the time. The storm never did break. It just threatened to do so.

9. Willie McCoy had been a jerk before he died. His being dead didn't change that. He sat across from me, wearing a loud plaid sport jacket. The polyester pants were primary Crayola green. His short, black hair was slicked back from a thin, triangular face. He had always reminded me of a bit player in a gangster movie. The kind that sells information, runs errands, and is expendable.

GUILTY PLEASURES by Laurell K. Hamilton, as guessed by Fiona.

10. Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarlteton twins were.

GONE WITH THE WIND by Margaret Mitchell, as guessed by Deifire, and now I can put the names back in so it makes sense.

11. "Be it known to all that the circle is now to be drawn," stated the slight, robed figure as she raised her arms upward to the sky. Her dainty hands held tight to the leather-bound handle of a Dirk, its brightly polished blade reflecting the light of the moon high above. "Let no one be here but of their own free will. Blessed be."

12. The dead scrabbled for an entrance to his grave. His wife was among them, as ravenous for Jim in death as she'd been in life. Their faint, soulless cries drifted down through ten feet of soil and rock. The kerosene lamp cast flickering shadows on the cinderblock walls, and the air in the shelter was stale and earthy. His grip on the Ruger tightened. Above him, Carrie shrieked and clawed at the earth. She'd been dead for a week.

13. Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theater, had not crossed the doors of one for twenty years.

THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE by Robert Louis Stevenson, as guessed by Kori.

14. There are those who have and those who have not. The majority of Black Stone Bay, Rhode Island, had it in abundance. Along the shoreline that looked out over the Atlantic Ocean, a long line of mansions stood at attention or sprawled across their massive lawns, regarding the world with blind glass eyes that hid treasures most people would have thought excessive in the extreme.

15. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.**

A TALE OF TWO CITIES by Charles Dickens, as guessed by Fiona.

* I know it's a gimme. But it's only the finest opening paragraph in English literature. Cannot be overlooked.
** Second-finest.

March 04, 2008

BookGeek: DUMA KEY

Oh, it's nice to be right. Nice to know my faith was justified.

The King is back.

For years, I've been waiting for Stephen King to enthrall me as he has since I was a little girl sneaking his books off my mother's bookcase and leaving the dust covers in their place so she wouldn't know I was swiping grownup books.* For years, I've been shrugging and saying, "Well, it wasn't bad."

Because King can't be bad, not in print. (Movies are another story.) No matter how badly he flubs the serve, it still bounces well. That's the beauty of his language, his skill at seeing.

But LISEY'S STORY, CELL, even as far back as DREAMCATCHER and FROM A BUICK 8... these books fell flat to me. Some folks said he never came back from the accident that nearly killed him. Others said he was never the same after he got sober.

To me, I think it was simpler than that: he got rich. A writer comes at the story from his or her own experience, and I believe King became America's literary boogeyman not just because he has innate talent for wordcraft that speaks to the reading public.

I believe he rose as high as he did because he came from an ordinary background. He wrote of millworkers and waitresses, of high-school girls and ad salesmen, of out-of-work teachers caretaking an old hotel and little kids playing at the town dump.

He wrote about US, in other words. He wrote about people that the secretary riding the subway to work could understand, and so she picked up his paperbacks for her morning commute. I think that's what he lost.

King's heroes changed from teachers and factory workers to wealthy writers living in the summer home and sleeping through the afternoon, a writer's widow who hasn't had to work in decades, or a millionaire construction mogul recuperating in a seaside mansion.

That's the world King lives in now. No problem with this brand of "write what you know," of course, except that most of us read the stories of, say, a grieving writer summering on a lake and think, "It must be nice not to have to punch a clock while you're grieving." It's a world of people who don't have to worry about missing work, or paying the light bill, or whether the kids can go to college.

That's what was real about THE SHINING, for example. Poor Wendy is faced with more than a snowstorm forcing her to remain in the haunted hotel with her husband, who is slowly going mad. Even if she and her young son make it to town, what will she do? Where will she live? No job, nowhere to stay, no money. It is economics as much as supernatural forces that binds the Torrance family in their snowbound hell, and the former is far more real to the groundling readers than the latter.

That's why I was a bit disappointed in the beginning of DUMA KEY. Edgar Freemantle** is in a dreadful accident at a job site, with brain damage and losing an arm to boot. Before long, his supposedly devoted wife of a quarter-century gives him up as a bad job, and he starts thinking about suicide.

The first chapter is a redux of King's short story "Memory." And all through it, I was turning pages only because of my loyalty to King. It's well-written, because it's King. The characters are real and their interactions makes sense, because it's King. But I cannot relate to a 50-something who has a million dollars to go paint landscapes in Florida to get over his crushing change of life. I found myself wishing Ed was just an ordinary guy, an injured construction worker who has to figure out how to pay his astronomical medical bills and considers suicide instead. Then I'd understand him.

But I guess it's a good thing King is in charge, instead of me.

Ed flees to Duma Key, a Florida island inhabited by an Alzheimer's-afflicted octogenarian and her ex-lawyer caretaker... and, of course, a few dozen ghosts. Sort of. Are they ghosts? Is Ed really making things happen by painting?

I'm not telling. Because the twists this story takes kept me turning pages late into the night, just like the old days. Some of the visions that Ed sees and/or paints were so clear, I found myself wishing for a movie right now. I could see the "Girl and Ship" painting in my own mind.

Then I realized the movie industry is just going to screw it up.

DUMA KEY is constructed beautifully, barring a little slowness in the opening chapter. The characters step whole and breathing from real life, rich or not. Even when you see the twist coming - and King telegraphs some of it far, far in advance - it still stabs you right through the heart.

I can't recommend this book enough. Some critics are calling it his best novel yet. I still lay that title on IT, but if you've ever wanted to try King's work or have drifted away over the years, this is the book to read.

And don't wait for the movie.

* Ain't I a stinker, Mom?

** Yes, the same as Abagail Freemantle in THE STAND. Snerk.